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	<title>Comments on: How I think, as a programmer.</title>
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	<link>http://waldo.jaquith.org/blog/2007/08/how-programmers-think/</link>
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		<title>By: cvllelaw</title>
		<link>http://waldo.jaquith.org/blog/2007/08/how-programmers-think/#comment-18113</link>
		<dc:creator>cvllelaw</dc:creator>
		<pubDate>Mon, 27 Aug 2007 02:18:38 +0000</pubDate>
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		<description>When I was a programmer (33 years ago), I found that if I had an unsolvable problem with a program, I would put on some record albums (they had them then).  No matter how many albums I was listening to, it always seemed that I figured out the problem when the needle dropped on a Linda Ronstadt album -- &quot;Don&#039;t Cry Now&quot;.  By the time it got to &quot;Desperado&quot; -- the fourth track on the first side -- I would have figured out the core problem and how to solve it.

I was kind of hoping that the article you linked to would explain the Linda Ronstadt effect.  Oh, well.</description>
		<content:encoded><![CDATA[<p>When I was a programmer (33 years ago), I found that if I had an unsolvable problem with a program, I would put on some record albums (they had them then).  No matter how many albums I was listening to, it always seemed that I figured out the problem when the needle dropped on a Linda Ronstadt album &#8212; &#8220;Don&#8217;t Cry Now&#8221;.  By the time it got to &#8220;Desperado&#8221; &#8212; the fourth track on the first side &#8212; I would have figured out the core problem and how to solve it.</p>
<p>I was kind of hoping that the article you linked to would explain the Linda Ronstadt effect.  Oh, well.</p>
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		<title>By: Janis Jaquith</title>
		<link>http://waldo.jaquith.org/blog/2007/08/how-programmers-think/#comment-18112</link>
		<dc:creator>Janis Jaquith</dc:creator>
		<pubDate>Mon, 27 Aug 2007 02:15:01 +0000</pubDate>
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		<description>I just read the Graham essay, and find that there are astonishing (to me, anyway) parallels between writing a program and writing a novel.  As I read the essay, I mentally replaced &quot;programmer&quot; with &quot;writer,&quot; and &quot;code/program&quot; with &quot;novel.&quot;

Holding the plot and subplots for a novel in your head (even though it&#039;s on paper, it has to be in your head in order &quot;walk around in it&quot;) is one of the most difficult aspects of novel-writing.  A sculptor or poet can see the entire piece of work in front of his or her eyes.  

I know of one novelist (MJ Rose) who transcribes plot points onto note cards, and tapes the cards to a wall so she can perceive the whole novel at once.  That way, she can prune redundancies, fill in holes, etc.  Not a bad idea (said the novelist, her eyes scanning the walls around her computer for sufficient space).</description>
		<content:encoded><![CDATA[<p>I just read the Graham essay, and find that there are astonishing (to me, anyway) parallels between writing a program and writing a novel.  As I read the essay, I mentally replaced &#8220;programmer&#8221; with &#8220;writer,&#8221; and &#8220;code/program&#8221; with &#8220;novel.&#8221;</p>
<p>Holding the plot and subplots for a novel in your head (even though it&#8217;s on paper, it has to be in your head in order &#8220;walk around in it&#8221;) is one of the most difficult aspects of novel-writing.  A sculptor or poet can see the entire piece of work in front of his or her eyes.  </p>
<p>I know of one novelist (MJ Rose) who transcribes plot points onto note cards, and tapes the cards to a wall so she can perceive the whole novel at once.  That way, she can prune redundancies, fill in holes, etc.  Not a bad idea (said the novelist, her eyes scanning the walls around her computer for sufficient space).</p>
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